Episode 003: Callum Reeves of KAIJU! & The IBA

August 8, 2024, by James Smith

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Episode 003: Callum Reeves of KAIJU! & The IBA

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The Indies 2024 & Life As An Indie Brewer


For the third episode of The Crafty Pint Podcast, we hit the road, travelling to Perth with lights, tripods, camera and various mics in tow. We were there for a number of events – one with FOUND., who will feature on a future show, plus the WA Beer & Brewing Conference and the 2024 Indies – and figured it was a great opportunity to focus an episode on one of the highlights of the beer calendar.

Thankfully, given how early we are in our podcasting adventures, mishaps were minimal. I did forget to switch on the lights for one recording (the sun shining over the Scarborough coastline did the trick) and we realised one microphone was facing the wrong way early enough in another that we could restart without too much pain.

Better still, after delivering the raw footage and audio to our producer, he's still with us and hasn't charged penalty rates.

So, what's in store this week, when we were joined by KAIJU! Beer co-founder and new Independent Brewers Association (IBA) chair Callum Reeves?

Reflections on the results of the IBA's first annual awards to be held in WA and some of the announcements made at the conference earlier in the day. Life as an indie brewer in 2024, including the impact of bi-annual excise tax hikes. What brewers, beer lovers and others in the beer community can do to push for changes that will help the industry survive these tough times. Interviews with some of the Indies winners on the night. What's happening at KAIJU! in their second decade. And much more besides.

You can find the episode on Spotify, Apple Podcasts and YouTube. And, if you've not checked it out already, you might like to go back to our chat with Lindsay Astarita given she went from talking to us about running quality programs at breweries and beer judging to collecting three trophies for Stomping Ground.

Apologies if we're a little croaky in the main interview – it was recorded the morning after the awards, after all. That said, we were in far better condition than Mondo...



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